1. The C-Beem handle (altered spelling for search purposes) is from Roy Batty’s great line in my favourite sci-fi film, Blade Runner: “I watched C-beams glitter in the dark near the Tannhäuser Gate.” It’s an intriguing line because it’s never explained what a C-beam actually is! A terrible weapon or something else? I love the enigma of it. It’s also significant from my first name, Chris, not to mention my keyboard workstation which features something quirky called a D-Beam. It hangs together for me in my love for sci-fi and electro-orientated pop. My music ventures go all the way back to my childhood in Leicester, when my two brothers and I formed a punk-ish rock band called The Foils in the early 80s, well-displayed by Tim’s tinfoil covered drum kit! Jon wielded the axe while I hammered away at the keyboard, and when I say keyboard, I mean a ‘Bontempi Playsound’ with severely limited capabilities, though it did kick out a decent organ sound. I’d say that John Lord of Deep Purple and Dave Greenfield of the Stranglers were my demi-gods at this time. Through the decades, I’ve weaved through various bands and projects, either as vocalist or keyboard player. Now as C-Beem I solo-record my own stuff like a studio-rat, combining my singing and keyboards.My influences are defiantly post-punk 80s: New Order, Depeche Mode, Ultravox, Tears for Fears, Psychedelic Furs e.t.c … all artists with a kind of underground futurism in their sound.

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